BENISSA HAS A NEO-GOTHIC TREASURE

Benissa is one of those hidden treasures to be found on the Costa Blanca. You need to find the car park at the back of town, get out of your car and start your journey.

* Report by Karla Ingleton Darocas, Hons. B.A. (c) no part of this text or photographs may be reproduced

PICASSO'S PERVASIVE MOTHER AND CHILD PAINTINGS

The most frequently reproduced motif throughout the history of art, especially in Western art, is the subject of the mother with child. The earliest recorded depiction and the best known Mother and Child is the Byzantine icon of Mary and Jesus. These icon images were venerated by both the Catholic and Orthodox churches.

Picasso was raised Catholic and knew the emotional power of the image of Mother and Child. These works, which run throughout his life, are some of my favourites. They are all different, depending on which visual form he was experimenting with at the time.

Let us take a look at a few of them and consider Picasso's different styles that he added to this powerful, universal theme of mother and child.

** Report by Karla Darocas, Hon. B.A. (KarlaDarocas.com)
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*FRANCISCO GOYA* History, Views & Visions of an Enlightened, Romantic Master Artist - tba

"INSPIRATIONAL & INSIGHTFUL TRIBUTE TO A GENIUS" 

TRIBUTE TO TOLEDO * PART 2

TRIBUTE TO TOLEDO * PART TWO

is a presentation (lecture and slideshow) about the Renaissance - Golden Age history of Toledo explored through its cultural evolutions, arts and architecture. 

Presented by Spanish Fine Arts & Architecture Historian, 

Karla Darocas, Hons. B.A. (KarlaDarocas.com)

TRIBUTE TO TOLEDO * PART 1

TRIBUTE TO TOLEDO * PART ONE

is a presentation (lecture and slideshow) about the Antiquity & Medieval history of Toledo explored through its cultural evolutions, arts and architecture. 

Presented by Spanish Fine Arts & Architecture Historian, 

Karla Darocas, Hons. B.A. 

(KarlaDarocas.com)

EL PRADO CELEBRATES ITS BICENTENNIAL 1819-2019

200 years ago from November 2018, El Prado opened its doors to the public to marvel at 311 paintings form the Royal Collection.

It was not called the National Museum El Prado at that time and it had a long way to go until it became Spain's master art gallery. El Prado has grown and evolved over the years along with Spain and its people for whom it shares its art and historical events. The ups and downs of Spains' turbulent times as well as the calm of its peace filled time can be admired in each room of this massive gallery.

SOROLLA: The Artist, the Humanist, the Scientist

THE MASTER

Joaquín Sorolla (1863 – 1923) was Spain's premiere impressionist artist.

A master painter from Valencia, Sorolla won many artistic  prizes and was adored the world over. In his youth, he was idealistic and like a modern pop star, his powerful paintings served to bring a social conscious to the fine arts world and beyond.

Sorolla paintings are built upon scientific knowledge and based on natural phenomena and their properties and relations. Thus, information derived from sensory experience, interpreted through reason and logic, forms the exclusive source of all certain knowledge.

Sorolla's positivism held that valid knowledge (certitude or truth) was found only in empirical evidence and this 19th century discovery caught the imagination of entire younger generation liberating their eyes from the Church and traditional society.

Sorolla learned to take advantage of this scientific revolution and incorporate it into his colour palette.

The sea was often the protagonist in his paintings and before his could put paint onto canvas, Sorolla had to ask himself question like, "What color is the water? Why do we see it? How is it painted?"

Light is the key to everything and Sorolla knew it. He would experiment with a bottle of water and a little milk to simulate, on a small scale, the behavior of sunlight in the Earth's atmosphere. Like a scientist, he was determined to understand why the sun's rays turned the sky blue in broad daylight or orange during sunset.

Today, we know via science that colour depends on the inclination with which the sun rays pass through the atmosphere. When Sorolla took a lamp and his bottle with water and milk and entered the light directly, the mixture looked bluish. If the bulb was placed on one of the sides, the tone changes to red.

- intro by Karla Darocas. Hons. B.A.

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REVIEWS 

"I really enjoy the in depth view about the life and times of the artist Sorolla. All aspects of this presentation from his life and times to the information about Spanish history around each of the times of a particular period of his artwork was fascinating. But more importantly is how much knowledge Karla passes on to her 'students' . The presentations are really fun and the time goes too fast!!! I always recommend her lectures, her knowledge and enthusiasm."
* Janis Turner


"I learned about a painter that I had no knowledge of, from his formative years right through to his death, through the styles and painters that influenced him as his work developed. The paintings were the star of the show. Very inspiring work, especially his use and rendering of light. Beautiful. I enjoyed Karla's informality and organisation and I would recommend her to friend."
* Debra Cazalet, Pego


"I had seen some of the work of Sorolla before and was so delighted to have attended your very interesting lecture on this great Spanish painter. His connection with Javea was of particular interest and you gave us a true illustration of his unusual technique and skill."
* Lorna Ainsworth, Javea



"Karla has a great knowledge of both techniques and cultural history. Sorolla is of great interest to me because I am Javea resident and so I have a local Javea connection."
* Lorna O’Connor, Javea


"It was another fabulous lecture Karla...we learnt so much about Sorolla and his work through your inimitable and very accessible style of lecture. I can’t wait to see more of his paintings and also look forward to hearing more from you in the future on other artists...thank you... "
* Gladys Cummings


"Thank you for your very interesting talk at the recent Anglo Spanish Assoc. meeting on Sorolla The presentation was very informative and it was a great pleasure to have had the opportunity to see such a wide range of his work about which I knew nothing. I wish I'd found a seat nearer the front !
* John G. Deacon, Jávea


"Wow and again wow! What a wonderfully interesting talk on Sorolla you gave to the Anglo Spanish Association yesterday evening. Many of us struggle to understand the subtleties of the development of an artist. What you gave us was a lucid, and well illustrated, talk on the progress of his abilities and career. For example I especially remember him being the first to use a white background. I look forward to hearing more of your talks, lectures and tuitions."
* Keith Hyde, Javea


"Karla'a expertise on Sorolla's life and work is both extensive and fascinating."
* David Decker, Javea

MARINA ALTA REGIONAL HERITAGE REWARDS RAISINS

The Marina Alta region, especially the coastal village of Jávea/Xàbia, has its 20th century heritage wrapped up in raisins. Not just any raisins, but the succulent Sultana raisins made from the marvelous muscatel grapes, which brought fame and wealth to the industrious villagers.

Within the Soler Blasco Archaeological and Ethnographic Museum are an important series of artworks by Soler Blasco that immortalize traditional trades, fiestas and legends. One of these impressionistic paintings showcases the process of blanching and drying of grapes to make raisins. 

REPORT BY: Karla Darocas, Hons. B.A. (www.KarlaDarocas.com)

Xàbia artist, teacher and resident Soler Blasco (1920-1984) became an important local figure because he was the mayor from 1974 to 1979. He was also involved in great cultural projects such as the creation of an archaeological museum and the Municipal Public Library.

Blanching accelerated the drying process. It all started with lighting the oven or fire, "el fogater", then filling a pot with water, herbs, caustic soda and bringing it to a boil. Then the grapes were tossed into the pot for a good 15 minute boil, then spooned out onto a drying mat.

In the back of this painting by Soler Blasco you can see the landmark mountain named "Montgo" and a white building with a "Riurau". During the 19th and 20th centuries, Riuraus flooded the the entire Marina Alta rural landscape. These unique Roman arched constructions were used to dry the raisins when it rained.

BRIEF HISTORY

The technique of blanching grapes goes back two millennia. In the writings of Julius Moderatus Columella, a prominent scholar on agriculture in the Roman empire, he describes 'l'escaldà' ". This information comes from Josep Antoni Gisbert, the archaeologist and director of Denia's  Ethnological Museum.

The oldest documented sources relating to the production of raisins in the Valencian territory date back to the second half of the 15th century. In the Marina Alta, there is evidence of the production dated 1476, whereby Valencian merchants wrote out billing contracts with Morisco farmers who lived in Dénia, Xàbia, Xaló, Pedreguer and Ondara, for their supply of raisins.

After the expulsion of the Moors and Moriscos in 1609, the grape production disappeared and so did the raisins because the Christians did not know the procedure.

It was actually because of travelers to the Marina Alta and La Safor regions in 1800's who prompted the production of raisins again, especially the English Navy who wanted raisins to combat scurvy and other diseases because of poor diet, but also the miners and textile factory workers wanted raisins to keep in their pockets to fight fatigue.

HERITAGE FESTIVAL

Each year, the celebration of the "Escaldá de la Pasa" takes place in the village of Jesus Pobre on the last morning of August. The villagers keep their heritage alive by recreating the process of making raisins via blanching. The ritual lasts all morning and ends with traditional dances.

REPORT BY: Karla Darocas, Hons. B.A. Fine Arts (www.KarlaDarocas.com)

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GRAND TEMPLE IN CARCAIXENT HAS AMAZING STORY OF SURVIVAL

As you drive into Carcaixent, the wonderful ceramic dome of the Church of the Assumption of Carcaixent (Església de l'Assumpció) catches your eye, sparkling in the sun. As soon as you reach the town centre, you will find this Catholic place of worship in the town's main square.

I was lucky enough to photograph this wonderful, historic monument while the magnificent jacaranda tree was in full bloom 

I was unable to go inside the church, but the uniqueness of the exterior construction was enough to catch my attention and make me look for more clues about this historical artefact.

Let us begin our exploration...

* Report by Karla Ingleton Darocas, Hons. B.A. (c) no part of this text or photos may be replicated

SOROLLA VISITS TOLEDO TO PAINT AND HOLIDAY IN 1906

For those who travel to Toledo, these historical photographs may surprise you by their stark landscapes in contrast to the tourist torrent that we know Toledo to be today. For those of you who adventured with me on the Art Lovers Trip 2018 to Toledo, these photos will be of greater interest.

In 1906, the 43 years old Sorolla was at the height of his career. He had just sold most of his 500 works, oils and drawings, at a spring exhibition in the Gallery of Georges Petit in Paris. He celebrated by spending a few weeks in the flashy tourist resort of Biarritz, of course painting landscapes, so different from those of the Mediterranean. At the end of this summer, he was heading back to his residence in Madrid but decided to jaunt over to the once grand old city of Toledo, then neglected as the capital due to the rise of Madrid city.

This decision came from his close relationship with friend and associate Aureliano de Beruete with whom he shared a fondness, even a love for Toledo .

Several letters between the two of them suggested that Sollora could come to Toledo to assist his friend with the much needed actions being taken to recognise the works of El Greco and the inauguration of the El Greco house-museum.

Sorolla arrived in Toledo on October 21, at first alone, and days later joined by his wife Clotilde and their children.

Their hotel of choice was the extraordinary first class hotel Gran Hotel Castilla, now the General Treasury of Social Security. This was the hotel to rub shoulders with illustrious and wealthy visitors, bourgeois, dealers in search of artistic heritage, and nobles such as Beruete himself.

During his stay in Toledo, he produced twelve canvases. The family returned to their home in Madrid on November 4.