MEET THE ARTIST EVENT * Robert E Sapsford *
Robert shared his humble journey as a youth with desires to be an artist but he faced many challenges. His presentation slideshow was very impressive with a vast array of complex paintings in oils and acrylics.
We all mingled, drank coffee and ate sponge cake too.
Make sure you JOIN the SpainLifestyle.com mailer to get your invite to the next event.
Report About Robert E Sapsford by Karla Darocas for SpainLifestyle.com
THE DEVELOPMENT AND PRIDE OF VALENCIAN GOTHIC ARCHITECTURE
CLOTILDE: Sorolla's Cornerstone / Tribute - BOOKS
About the Book
Clotilde García del Castillo (Valencia, 1865 - Madrid, 1929) was more than just the wife of the famed Valencian painter Joaquín Sorolla (Valencia, 1863 - Cercedilla, 1923).
She was the mother of his children, his social secretary, and his emotional support person. She was his painter's model, business partner, and marketing manager. Clotilde was the mastermind, compass, and keyholder to his social elevation and success.
It is through letters, photographs, and paintings, that Clotilde’s personality shines. Laid bare are her commitments to her family, society, and business, while never losing her passionate love and belief in her husband.
This biographical story highlights Clotilde as a 20th-century Spanish woman living a life that many women of that era, could only dream of. She was loved and adored by her husband. She was his cornerstone.
INDEX
- Introduction 2
- In The Beginning 4
- Love United 5
- Family Time 5
- Responsibilities 7
- Travel 9
- America 13
- New Home and Studio 18
- The End of An Era 26
- Life After Sorolla 29
- In Conclusion: 31
BENISSA HAS A NEO-GOTHIC TREASURE
Discover Benissa, a hidden gem tucked away on the Costa Blanca. To truly experience its charm, park your car in the lot behind town, step out, and let the adventure begin.
At the heart of Benissa lies a true architectural marvel: the Iglesia de la Puríssima Xiqueta. This neo-Gothic masterpiece, proudly called the "Church of the Pure Girl," stands as a testament to the town's deep-rooted faith and collective effort. While its name poetically references the Virgin Mary, its structure tells a story of revival and resilience.
For architecture enthusiasts, this is no ordinary Gothic church—it’s a neo-Gothic interpretation. Built between 1902 and 1929, its towering spires and intricate details reflect the community's dedication, both spiritually and financially.
The neo-Gothic style, inspired by medieval Gothic architecture, emerged as a romantic response to the rapid industrialization of the 19th century, idealizing the simplicity and unity of medieval society. Why did Benissa embrace this nostalgic style over others, like the Renaissance? Perhaps it was a deliberate nod to tradition in a changing world.
Whatever the reason, the Iglesia de la Puríssima Xiqueta now stands as a beacon of Benissa's rich history and enduring beauty, waiting to captivate all who visit.
Report by Karla Ingleton Darocas, Hons. B.A.
(c) No part of this text or photographs may be reproduced.
Many of the church’s external decorative elements stay true to the pure Gothic style, lending it an air of medieval splendor. Look closely at the pinnacles, those delicate, tower-like structures that grace the edges of the building, adding both elegance and a sense of verticality. Above it all, the crown completes the façade, a striking symbol of architectural ambition and devotion. These intricate details make the Iglesia de la Puríssima Xiqueta a feast for the eyes and a treasure for those who appreciate the artistry of neo-Gothic design.
In true Gothic tradition, the Iglesia de la Puríssima Xiqueta, with its twin bell towers, soars toward the heavens, a testament to both faith and architectural ambition.
The church’s structural integrity relies on a series of buttresses, which gracefully support the rectangular, three-nave design, combining functionality with aesthetic beauty.
Dominating the façade is a magnificent rose window, a hallmark of Gothic cathedrals. This intricate feature serves as both a source of light and a spiritual symbol. Below the rose window lies a decorative blind arcade, an elegant series of arches applied to the surface of the wall purely for ornamentation, adding depth and texture to the structure.
Each of these elements, from the reaching towers to the delicate masonry, contributes to the timeless allure of this neo-Gothic masterpiece.
One of the most captivating features of the Iglesia de la Puríssima Xiqueta is its striking octagonal crown, a design steeped in symbolism. The number eight, often associated with renewal and harmony, lends a mystical quality to the structure. This crown is further adorned with elegant pinnacles, adding a touch of Gothic grandeur.
Illuminating the church's dome in the transept are eight stunning Gothic windows, their light casting a celestial glow during ceremonies. This dome, a unique architectural element, becomes a visual and spiritual centerpiece, symbolizing the divine music that resonates through the church during sacred events. It’s a harmonious blend of light, sound, and faith that leaves a lasting impression on all who enter.
The lancet windows are a classic feature of Gothic design, characterized by their tall, slender form and pointed arches at the top. Their name, "lancet," derives from their resemblance to a lance or spear, evoking a sense of elegance and precision. These windows not only enhance the verticality of the Iglesia de la Puríssima Xiqueta but also allow light to filter through in a way that feels both serene and transcendent, creating an atmosphere of divine grace within the church.
*******APPRECIATE ART & CULTURE * LOVE SPAIN
Resource Books written by
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SpainLifestyle.com
Resource Books written by
Karla Ingleton Darocas
and published by
SpainLifestyle.com
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PICASSO'S PERVASIVE MOTHER AND CHILD PAINTINGS
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TRIBUTE TO TOLEDO * PART 2
TRIBUTE TO TOLEDO * PART 1
EL PRADO CELEBRATES ITS BICENTENNIAL 1819-2019
It was not called the National Museum El Prado at that time and it had a long way to go until it became Spain's master art gallery. El Prado has grown and evolved over the years along with Spain and its people for whom it shares its art and historical events. The ups and downs of Spains' turbulent times as well as the calm of its peace filled time can be admired in each room of this massive gallery.
SOROLLA: The Artist, the Humanist, the Scientist
A master painter from Valencia, Sorolla won many artistic prizes and was adored the world over. In his youth, he was idealistic and like a modern pop star, his powerful paintings served to bring a social conscious to the fine arts world and beyond.
Sorolla paintings are built upon scientific knowledge and based on natural phenomena and their properties and relations. Thus, information derived from sensory experience, interpreted through reason and logic, forms the exclusive source of all certain knowledge.
Sorolla's positivism held that valid knowledge (certitude or truth) was found only in empirical evidence and this 19th century discovery caught the imagination of entire younger generation liberating their eyes from the Church and traditional society.
Sorolla learned to take advantage of this scientific revolution and incorporate it into his colour palette.
The sea was often the protagonist in his paintings and before his could put paint onto canvas, Sorolla had to ask himself question like, "What color is the water? Why do we see it? How is it painted?"
Light is the key to everything and Sorolla knew it. He would experiment with a bottle of water and a little milk to simulate, on a small scale, the behavior of sunlight in the Earth's atmosphere. Like a scientist, he was determined to understand why the sun's rays turned the sky blue in broad daylight or orange during sunset.
Today, we know via science that colour depends on the inclination with which the sun rays pass through the atmosphere. When Sorolla took a lamp and his bottle with water and milk and entered the light directly, the mixture looked bluish. If the bulb was placed on one of the sides, the tone changes to red.
- intro by Karla Darocas. Hons. B.A.
***
"I really enjoy the in depth view about the life and times of the artist Sorolla. All aspects of this presentation from his life and times to the information about Spanish history around each of the times of a particular period of his artwork was fascinating. But more importantly is how much knowledge Karla passes on to her 'students' . The presentations are really fun and the time goes too fast!!! I always recommend her lectures, her knowledge and enthusiasm."
* Janis Turner
"I learned about a painter that I had no knowledge of, from his formative years right through to his death, through the styles and painters that influenced him as his work developed. The paintings were the star of the show. Very inspiring work, especially his use and rendering of light. Beautiful. I enjoyed Karla's informality and organisation and I would recommend her to friend."
* Debra Cazalet, Pego
"I had seen some of the work of Sorolla before and was so delighted to have attended your very interesting lecture on this great Spanish painter. His connection with Javea was of particular interest and you gave us a true illustration of his unusual technique and skill."
* Lorna Ainsworth, Javea
"Karla has a great knowledge of both techniques and cultural history. Sorolla is of great interest to me because I am Javea resident and so I have a local Javea connection."
* Lorna O’Connor, Javea
"It was another fabulous lecture Karla...we learnt so much about Sorolla and his work through your inimitable and very accessible style of lecture. I can’t wait to see more of his paintings and also look forward to hearing more from you in the future on other artists...thank you... "
* Gladys Cummings
"Thank you for your very interesting talk at the recent Anglo Spanish Assoc. meeting on Sorolla The presentation was very informative and it was a great pleasure to have had the opportunity to see such a wide range of his work about which I knew nothing. I wish I'd found a seat nearer the front !
* John G. Deacon, Jávea
"Wow and again wow! What a wonderfully interesting talk on Sorolla you gave to the Anglo Spanish Association yesterday evening. Many of us struggle to understand the subtleties of the development of an artist. What you gave us was a lucid, and well illustrated, talk on the progress of his abilities and career. For example I especially remember him being the first to use a white background. I look forward to hearing more of your talks, lectures and tuitions."
* Keith Hyde, Javea
"Karla'a expertise on Sorolla's life and work is both extensive and fascinating."
* David Decker, Javea
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